Li Yang, a customer was blown away by the Rinjanis and custom ordered his end game version in Lamborghini Orange with upgraded Beryllium Tweeters.
"As a IEM maker and headfi expert I haven't found a pair of speakers that satisfies me until the Rinjani. They are perfect and I am happy to have achieved end game just like Artisan Acoustics suggested!
The beryllium tweeter is amazing, when I put my ear close to them, its completely transparent sounding"
Learn More About The Rinjani Be Speaker Kit
SB's latest SB kit, the Sasandu!
One of many happy owners in KL, Gan modified his Sasandu with outriggers to improve its looks and coupling to the floor.
Designed by Jeff Bagby | SB Acoustics MW13P-4 + SB29BNC-C000-4
Jeff Bagby spent decades designing loudspeakers and writing the software that half the DIY community uses to design theirs. The Revolution Mini was commissioned by SB Acoustics in late 2018 and became, by Jeff's own assessment, one of the finest imaging speakers he'd ever heard. Andrew Jones — the man behind KEF, TAD, and Elac — listened to the Revolutions and gave them glowing praise.
Then Jeff was taken from us by COVID-19 in March 2020. The Revolution Mini remains one of his last and best gifts to the community.
The Design
A classic ¼ cubic foot mini-monitor in the BBC LS3/5A tradition, except it goes places that speaker never could. The Satori MW13P-4 midwoofer uses SB Acoustics' Egyptian Papyrus cone — a proprietary natural-fibre blend manufactured in-house — paired with a neodymium motor, CCAW voice coil, and extended copper sleeve for vanishingly low distortion. Independent testing measured THD below 0.3% above 150 Hz even at 102 dB output.
Up top, the SB29BNC-C000-4 beryllium dome tweeter. Beryllium is seven times more rigid than titanium, pushing the breakup mode out past 38 kHz — well beyond audibility. The result is transient speed and high-frequency air without the fatigue of lesser metal domes. Acoustic 4th order crossover at 1800 Hz with near-perfect phase alignment.
The SB15SFCR-00 racetrack passive radiator on the rear panel eliminates port noise and placement fussiness. No additional mass required. Dacron polyfill behind the drivers, none near the radiator. The system is flat to 50 Hz with useful output into the low 40s — extraordinary for 7 litres.
As Jeff put it: if you're ready for something special, here's your chance.
Specifications
Type 2-way passive, sealed with passive radiator
Midwoofer SB Acoustics Satori MW13P-4, 5" Egyptian Papyrus cone
Tweeter SB Acoustics SB29BNC-C000-4, 29mm beryllium dome
Passive Radiator SB Acoustics SB15SFCR-00, 5×8" racetrack
Impedance 4 Ω nominal (never drops below 4 Ω)
Sensitivity 85 dB (2.83V / 1m)
Frequency Range ~40 Hz – 30 kHz
Crossover Acoustic 4th order, 1800 Hz
Power Handling 40W RMS (woofer-limited)
Dimensions (W×H×D) 203 × 330 × 190 mm (8" × 13" × 7.5")
Recommended Amplification 30 – 100W (warmer voicing preferred)
Design: Jeff Bagby (2018). Open source — donations to Jeff's family via Meniscus Audio.
4-Way Active | 14 Drivers Per Channel
Ryan wanted the best possible sound for his HDB BTO living room. Not "good for the space." The best. The result is a reference 4-way active floorstander with line-array bass that redefines what SB Acoustics drivers can do when you stop compromising.
His verdict: the phrases "being there" and "live" used to describe past speakers are caricatures compared to what these present.
The Design
Four-way active crossover — no passive components in the signal path. Each driver band gets its own amplifier channel, its own filter, its own level control. The beryllium tweeter handles air and transient detail. The MR13P-8 midrange covers the critical vocal and presence region in its own sealed chamber. Four MW19P-8 Satori midwoofers in a line array load the lower midrange and upper bass with massive radiating area and zero compression. Six SB23NACS45-8 aluminium-cone woofers in a bass line array deliver subsonic-to-midbass output that pressurises the room without breaking a sweat.
14 drivers per side. Transients start and stop on a dime.
Specifications
Type 4-way active, line array bass
Tweeter 2× Satori TW19BN Beryllium dome
Midrange 2× Satori MR13P-8, 5" Egyptian Papyrus
Lower Mid 4× Satori MW19P-8, 7.5" Egyptian Papyrus
Bass 6× SB23NACS45-8, 9" aluminium cone
Crossover Active (DSP)
Amplification Multi-channel, per-band
SB29RDNC + Satori MR16P-4 + SB Audience 12" Woofer
Sanjay's experiment that worked. The Satori MR16P-4 midrange measures and performs well enough to run as a fullrange — no tweeter needed. Two SB29RDNC tweeters sit on the baffle as insurance. They remain unconnected. The MR16P-4 didn't need the help.
The Concept - FAST: Fullrange And SubTwoofer.
The MR16P-4 handles everything from ~150 Hz upward on its own — Egyptian Papyrus cone, neodymium motor, 92 dB sensitivity, mode-balanced cone for smooth extension well beyond typical midrange duty. Bass is handed off to a pair of SB Audience 12" pro-audio woofers, purpose-built for the low frequencies the 6.5" can't move enough air to deliver.
The result: 95 dB system sensitivity. A 2A3 or 300B single-ended triode with 3–8 watts fills the room. No crossover phase shifts through the critical midrange and presence region — just one driver doing what it does best, unfiltered.
Avalon-inspired cabinet geometry reduces parallel surfaces and standing waves. It looks the part too.
Feb 2026 Upgrade
Drivers upgraded to full Satori TeXtreme and Audience NERO lineup — TW29TXN tweeter (now connected), MW16TX-4 midwoofer, SB Audience NERO 12" bass woofers. Carbon fibre throughout.
Specifications
Type FAST (Fullrange + Assisted Sub)
Configuration Avalon-style floorstander
System Sensitivity 95 dB
Recommended Amplification 2–30W (SET ideal: 2A3, 300B)
Original (2024)
Fullrange/Mid 2× Satori MR16P-4, 6.5" Egyptian Papyrus
Tweeters 2× SB29RDNC (installed, not connected)
Bass 2× SB Audience 12" woofer
Upgraded (Feb 2026)
Tweeter 2× Satori TW29TXN TeXtreme
Mid 2× Satori MW16TX-4 TeXtreme
Bass 2× SB Audience NERO 12"
SB Acoustics Satori Kalasan + Acoustic Elegance TD10S-8 Apollo
Wilson charges six figures for a precision mini-monitor on a dedicated bass module. Same concept. Fraction of the price.
The Head Unit
Designed by Joachim Gerhard (founder, Audio Physic). Trapezium cabinet, 8-degree slanted baffle — time-aligns the MW16P-8 Egyptian Papyrus midwoofer and TW29R ring-dome tweeter without crossover complexity. Faceted edges kill diffraction. Imaging borders on holographic.
The Woofer Modules
Two Acoustic Elegance TD10S-8 Apollo Upgrade — handmade in the USA, tolerances in thousandths of an inch. Lambda motor with full copper Faraday sleeve plus dual aluminium Apollo rings — three Faraday rings total. Nearly a kilogram of machined heatsinking. Voice coil behaves like an air core across its entire travel. 14mm linear excursion, 500W continuous.
Sounds bigger than it looks. That's the point.
This was rushed to completion for a local diy hifi meet in late feb 2016
Following Curt Campbell's design he name the Uluwatu, these are
Comparatively, these 5" woofers' midrange is a less detailed than the Satori but WOW the low end is more extended, impactful, extremely dynamic, agile and has none of the overhang/delay in ported enclosures. The MLTL enclosure design definitely plays a part in the delightful bass.
2.5 way vented floorstand design by Curt Campbell
Sensitivity ~95db
Nominal Impedance 6ohm
Tweeter SB29RDNC-C000-4 Ring Radiator Tweeter
Midwoofers 6pcs SB13PFC25-08 Midwoofers
Dimensions
Width 21.6 cm
Height 120 cm
Depth 40 cm
Max SPL 118 dB @ 1 meter
SB Acoustics SB20FRPC30-8 — Voigt Pipe
One driver. No crossover. No excuses.
The SB20FRPC30-8 is SB Acoustics' 8-inch fullrange with a proprietary paper-blend cone, whizzer extension, and phase plug — all manufactured in-house at their vertically integrated Indonesian facility. At 92 dB sensitivity and a Qts of 0.45, it's practically designed for quarter-wave loading.
Why a Voigt Pipe?
Paul Voigt worked this out in the 1930s: a tapered pipe tuned to a quarter wavelength of the driver's resonance reinforces bass over a broad bandwidth. The DDVP-20 design folds that pipe into a 1050mm-tall cabinet with strategic damping — felt wool above the driver, polyester wool below — killing pipe harmonics while preserving the fundamental reinforcement.
The result is bass extension that has no business coming from a single fullrange at this price.
The Experience
No crossover means no phase shifts. You get a coherent point-source — musicians in a room, not sounds from boxes. A few watts from a good SET amp fills a room. Off-axis HF rolls off past 30°, so toe-in is mandatory. Some builders add mild baffle step compensation. The driver needs 20-30 hours to settle in.
For the price of a mediocre dinner for two, you'll question why you ever thought you needed a three-way.
Specifications
Type Single-driver fullrange, Voigt Pipe (TQWP)
Driver SB Acoustics SB20FRPC30-8, 8" paper cone
Impedance 8 Ω
Sensitivity 92 dB (2.83V / 1m)
Power Handling 40W RMS
Frequency Range ~39 Hz – 20 kHz
Crossover None
Dimensions (W×H×D) 260 × 1050 × 330 mm
Enclosure Folded tapered quarter-wave pipe
Recommended Amplification 3 – 40W (ideal: SET / Class A)